Category Archives: The Low Brass Player’s Guide to Doubling

Bass Trombone as the Primary Instrument: A Report

For basically the entire year from May 2016 to May 2017 I moved from my usual practice of treating the large tenor trombone as my primary instrument to placing the bass trombone in that role. While for the entirety of … Continue reading

Posted in Alto Trombone, Bass Trombone, Daily Routine, Doubling, Euphonium, Low Brass Resources, Method Books, Micah Everett, Music, Performing, Playing Fundamentals, Practicing, Teaching Low Brass, Tenor Trombone, The Low Brass Player's Guide to Doubling, Trombone, Tuba

Want to Understand Brass Instruments? Understand the Overtone Series!

The overtone series is an acoustic principle that is sometimes cursorily discussed in music theory and other music courses, but is often poorly understood even by musicians. The “short, short version” is that the pitch sounding when, say, an open … Continue reading

Posted in Doubling, Music, Music Theory, Overtone Series, Pedagogy, Performing, Teaching Low Brass, The Low Brass Player's Guide to Doubling

Summer Activities Preview

It has been my habit to take a break from blogging during the summer and this year will be no different; after this post and another sometime next week I’m going to sign off until mid-August. Having been awarded tenure … Continue reading

Posted in Bass Trombone, Doubling, Education, Euphonium, Higher Education, International Tuba-Euphonium Conference, Micah Everett, Music, Music and Worship, Performances, Performing, Practicing, Teaching Low Brass, The Low Brass Player's Guide to Doubling, TROMBONANZA, Trombone, Tuba, University of Mississippi

Tuba Doubling Report

Although I’ve taught applied tuba for twelve of the fifteen years that I have taught applied lessons at the university level, I have only seriously practiced the instrument and become reasonably proficient at performing on it in the past year … Continue reading

Posted in Doubling, Euphonium, Higher Education, Low Brass Resources, Mouthpieces, Music, Music Education, Pedagogy, Performance Videos, Performances, Performing, Playing Fundamentals, Practicing, Teaching Low Brass, The Low Brass Player's Guide to Doubling, Tuba

Three Overall Organizing Principles for Doublers

Regular readers of this blog are by now probably tired of posts about doubling, the last several of which have served in part to promote my recent book The Low Brass Player’s Guide to Doubling. I apologize for that and plan … Continue reading

Posted in Alto Trombone, Bass Trombone, Conferences, Daily Routine, Doubling, Euphonium, Low Brass Resources, Method Books, Micah Everett, Music, Performing, Playing Fundamentals, Practicing, Teaching Low Brass, Tenor Trombone, The Low Brass Player's Guide to Doubling, Trombone, Tuba

“2015 Reboot:” A New Book and a Return to Blogging

Happy New Year! It is a privilege to return to The Reforming Trombonist on this first weekend of the new year and, God willing, to resume the weekly writing schedule that I have not consistently kept since last April. While … Continue reading

Posted in Aldous Huxley, Bass Trombone, Books, David Vining, Education, Euphonium, Low Brass Resources, Method Books, Micah Everett, Music, Music Education, Performing, Playing Fundamentals, Practicing, Teaching Low Brass, Tenor Trombone, The Low Brass Player's Guide to Doubling, Trombone, Tuba